To that inevitable icebreaker question, “What was your first concert?” my heart always beats with excitement at the chance to share that in 2000, when I was 8, I was lucky enough to see the group that’s now known as The Chicks. But almost every time I give that answer, I get confused looks, blank stares and sometimes laughs. Women in country music were all I was ever interested in when I was growing up, and many of the kids at school made fun of me for that. It wasn’t the cool thing to do, especially for a Black kid. But not even seeing my favorite group when I was 8 compared to the November 2016 CMA Awards when The Chicks were joined by an unannounced Black artist whose love of country music has also been questioned.
As soon as I heard those horns begin playing and heard Beyoncé say the word “Texas,” I knew that we at the CMAs were in for the treat of her performing her then-hit “Daddy Lessons.” Even better, she was performing it with The Chicks, the group I grew up thinking was everything. And then I heard a woman in the row ahead of me yell, “Get that Black b—- off the stage!”
In a March 19 Instagram post promoting “Act II: Cowboy Carter,” her album that was released today, Beyoncé wrote, “This album has been over five years in the making. It was born out of an experience that I had years ago where I did not feel welcomed…and it was very clear that I wasn’t. But, because of that experience, I did a deeper dive into the history of Country music and studied our rich musical archive.”
Beyoncé did not say exactly which experience had left her feeling unwelcome, but the hostile, often racist, responses she got on social media after performing at the 2016 CMAs and the CMAs taking down a post promoting her and The Chicks were big news (a spokesperson for the award show said the post hadn’t been approved by Beyoncé).
The day after their performance with Beyoncé, The Chicks posted a link to “Daddy Lessons” on social media and wrote, “If we all turn this up really loud, together we can drown out the hate.”
The woman in front of me yelling at Beyoncé had so much rage in her voice. Months later, I was still replaying that moment in my head. I’d ask myself: Do people feel this way about me when I enter the country music space?
